CUSP – English Country: Album Review
English Country is the debut record from CUSP. It is an album with roots firmly in classic indie seeking lift off with an expansive sound and huge choruses.
English Country is the debut record from CUSP. It is an album with roots firmly in classic indie seeking lift off with an expansive sound and huge choruses.
The Fannies get ever more timeless, free of any genre beyond their own, adding vintage psychedelia to their jangly languor.
13 bangers and smashes, mainly from the past, couped and curated into perfection by a fiddling A team of Sweeney and Smith.
Cortese wows effortlessly in a completely individual way, providing an unexpected triumph. Ambient Americana, anyone?
Cosmic folk duo Good Habits make their long-awaited return and celebrate a new direction with their most emotionally expansive and sonically ambitious album so far.
Maria Taylor overcomes personal adversity and finds solace in her innermost thoughts with Story’s End, her new album.
Chance encounters, journalism, literature, film and music – experiences provide inspiration to Our Man In The Field for his new album, Silverado.
Veteran gothic metal band, Lacrimas Profundere, return after a busy four year break touring and playing some of the biggest festivals in the world.
Kentuckian Ian Noe channels his formative influences in the story of the fictional Canyon Falls Trailer Band for his ambitious third album.
Latest from the uncharacterisable, irrepressible, Birmingham sextet blends Balkan beats with Scottish and Scandi tunes to unique effect
With Reckoning, Gauthier fearlessly finds her day, a no holds barred salvo of shrapnel from the front line of humanity.
Tear Dungeon bring the noise on Squirm. The riotous Texan’s unleash their unique brand of sonic battery and anarchy for all to see and hear.
Soul cleansing Southern Rock stuff from Derby. These Wicked Rivers send some joy (plus fire and folklore) out into the world.
50 not out, Simpson is staying at the crease and this lavish 2 set disc spells out exactly why.
Building a quirky shrine to synth-pop, 80s glam, Josh da Costa’s debut solo album balances revered guitars and theatrical nostalgia.