Tarragon – Home At Cofa’s: Album Review
Tarragon here issues some superlative dream-pop from Coventry, drip fed by some of the best brass you’ll hear this year. Spice up your life or what!
"Well, what sort of music do you like, Seuras?" Ever since that question was first aired by his mother a decade or six back he has struggled with the answer. And struggles still now. Call him a folkie, a country dude, a bluesman and he'll be happy, but don't forget the whiff of jazz, electronica and more. Not so keen on the charts, mind.
Tarragon here issues some superlative dream-pop from Coventry, drip fed by some of the best brass you’ll hear this year. Spice up your life or what!
We look ahead to Bearded Theory 2026 starring a multitude of musical attractions – roll up, roll up.
Super! Calaproggylicious funky club night ceilidh beats from Cala.
A joyful release from Gilmore & Roberts as they revive and relive their shared past, looking back and moving forward.
English exquisita from East Anglia, ornamental and elegant, Honey and the Bear are sounding ever more like a joy.
Exquisite songs of a life well bruised from Ben De La Cour. We’re at the Birmingham stop off on his latest tour.
Squeezy pleezy celebration, as Whetstone and co. plunder their illustrious past.
Game upped, beats precisioned and vocals aligned, what’s not to love? Valtos release The Last Night.
If horses are for courses, this 3rd course is fit for a banquet; the Brown Horse canter remains unabated.
Blooming lovely! It may be late and even long overdue, but we’re ready for more from The Long Version.
The masterpiece nobody, least of all himself, anyone would ever want to have had the inspiration for. Michael Weston King on Nothing Can Hurt Me Anymore.
Wobble and Klein reconvene for a noise and melody manifesto of post punk precision.
Manchester again plays host to an impressive line up of Folk Music from the UK and beyond.
Ryding ever on, the sunset seems as far away as ever for Griffin and his gang of Long Ryders with this enjoyable twist and twang.
A supremely sad and toweringly majestic tribute from Michael Weston King.