Uncle Acid and the Deadbeats – Shapes of Midnight: Album Review
Uncle Acid and the Deadbeats return. Nearly two decades on from the demo Kevin Starrs hammered together in a Cambridge garage, the tunes have never once dulled in menace.
Uncle Acid and the Deadbeats return. Nearly two decades on from the demo Kevin Starrs hammered together in a Cambridge garage, the tunes have never once dulled in menace.
Shooglenifty are back, back, back, and, all infused with fresh blood and inspirations, and it’s as if they’ve never been away.
OurHome sees Rodrigo y Gabriela return to their signature acoustic instrumentation and adding Japanese flavourings to their Latin rhythms.
With no nasty knots to untie, Fine Lines join all the dots, for a perfect spread of country and north-western.
In true Fluisteraars style, this new three-track LP from the Dutch purveyors of atmospheric post-black metal, released on the mighty Eisenwald, is nothing short of a masterpiece. Packed with all the twists, turns and mystique their material always promises. It proves once again how masterfully this band crafts a sound that’s instantly recognisable as their own.
Dymna Lotva take another evolutionary step on their fourth LP, Vyraj. The rebellious Belarussian dissidents powerfully demonstrate that they are far more than a ‘one-trick pony’ in every conceivable artistic aspect.
More jangulating gold from the bottom of The Tubs’ tub. Self-hatred has never sounded so good!
Second album charting the rapid rise of latest Mancunian starlets Corella.
Flamenco and Mariachi influences meet the soulful pop of Dusty Springfield head-on, on Yolanda – the debut album from Emma Hunter.
Be fierce or be dead. Or both. Pushing the songwriting and the sonics, The Fierce & The Dead try and test the untried and untested.
The debut album from Zvindiyar is a clear progressive death metal balancing punishing riff architecture with ritual precision by multi-instrumentalist Mohammed AlMeshkhas.
Debut album from in-demand multi-instrumentalist Toby Shaer. Amalgam is the culmination of over 15 years of writing and collecting melodies.Â
Rockabilly, country and a smidgeon of folk see Sunjay picking from rock n roll and country legends to put his own twist on well recognised songs.
Mr Plow return after a 12-year hiatus. At One With Nature, picks up precisely where they left off.
Hatfield And The Health’s Canterbury homage mutates into Fuzz Kitchen with an album of original music in the Canterbury scene style.