Salt House – Scarrow: Album Review
Changes afoot for Salt House, but still a chance to savour reflection, renewal and connection.
"Well, what sort of music do you like, Seuras?" Ever since that question was first aired by his mother a decade or six back he has struggled with the answer. And struggles still now. Call him a folkie, a country dude, a bluesman and he'll be happy, but don't forget the whiff of jazz, electronica and more. Not so keen on the charts, mind.
Changes afoot for Salt House, but still a chance to savour reflection, renewal and connection.
Hafana brews an uncanny mix of the ancient and modern, as she drives their singular furrow still deeper.
The songs of Kirsten Adamson make for the sort of sweet and sour dream you will not want to wake from.
Lost Measures finds Leveret at the top of the tree, where they belong.
Goodness gracious me, we’re saved, as Plant goes from a scream to a whisper!
Scenic Sessions from The Delines – Peak pleasure from the past, darker and sparklier than ever.
Bluegrass hued acoustica from the Moselle delta, in North London, the Tommys give the genre a good thump.
Simply stunning, Kim Carnie’s gauntlet may be unassailable.
Grift pays off, as Grimm shows off that the art of politicised singer-songwriting is anything other than redundant.
Hartlepool Folk Festival Preview – 3rd-5th October 2025; “From the sea comes folk.”
Echoes of a madcap infuse this oddly delightful solo debut from Sydney Minsky Sargeant.
Embrace United Bible Studies in a new found burst of accessibility, easier on the ear, if still avoidant of the mainstream.
Actually exactly the right sort of one, Dattani sparkles with his deft delivery.
PDC, clearly, early doors Ric Sanders, as he (sugar)canes his version of the blues, across two stellar albums.
Merritt merits both your time and the patience unrealised, for this surprise treasure trove of kitchen recordings.