Various Artists – My Grief On The Sea: Album Review
Equally inspired and inspiring, history and interpretation blur for a collective assault on the senses, with the most gentle of blows.
"Well, what sort of music do you like, Seuras?" Ever since that question was first aired by his mother a decade or six back he has struggled with the answer. And struggles still now. Call him a folkie, a country dude, a bluesman and he'll be happy, but don't forget the whiff of jazz, electronica and more. Not so keen on the charts, mind.
Equally inspired and inspiring, history and interpretation blur for a collective assault on the senses, with the most gentle of blows.
File under experimental, arcane and idiosyncratic, this is piping for posterity from Brìghde Chaimbeul.
It ain’t trad Dad, or not as you know it, as Edinburgh based Àirdan aim for the sky with Cosmic.
Noirer than noir, but with bigger bandwidth. Ben De La Cour’s New Roses.
Here comes Summer! As the festival season beckons, we preview The Gate To Southwell Festival 2025.
Classy academia in a new age sonic display of ambient neo-classicism from Ross Whyte on Provenance.
The Dregs bite back and fight back, a triumph of dogged determinism.
Stunning collaborative showcase from Varo that shines equally on the hosting duo and the plethora of guests.
Superlative to the power of 3, a classic is made with I’m With Her album number 2.
Think not what he was, admire and imbibe what he is! A Martin Carthy birthday celebration.
(Glitter)balls to neo-trad, as Mànran take on a different hue. (Don’t worry, it’s fine!)
Reggae-trad fusioneers An Danssa Dub tackle the difficult second album challenge with honours. Well irie!
But warm comes the summer, with new textures borne in by the breeze; a triumph for the Granny’s Attic trio of CBK, Sansome and Wood.
The sea winds blow in something very special from Gnoss.
A tasty treat from Morrison, Roberts & Johnston, undeniably North of the country below it, with songs deriving from a similar circumstance, an ocean apart.