Staran – Gold From Ruins: Album Review
Staran 2.0 prove the sum is truly greater than the parts, even with parts like these.
Staran 2.0 prove the sum is truly greater than the parts, even with parts like these.
Re-recordings of old tunes from gravel-voiced songsmith, John Smith, sheds fresh light on concert favourites.
“Stitched together like the fragments of a dream.” Liverpool songwriter Tom O’Connell -aka Novelty Island – presents a painstakingly-assembled collage of sounds.
Folk-punk stalwart, Gaz Brookfield, eyes incipient middle age in 10th studio album with typical catchy tunes about difficult issues.
Idlewild return with their self-titled tenth album, arriving not as a nostalgic cash-in, but as a poignant, reflective flag in the turf.
Melodic hardcore outfit, Militarie Gun, fire on all cylinders throughout the entirety of God Save The Gun.
Somewhere, deep in the forest, something stirs as the analogue Clarke delights.
The talents of Ithica, NY polemicist George Mann and Aussie folky Mick Coates fit together very well as Ghosts Of The Old West demonstrates.
Avi C. Engel’s new album is a superbly put together suite of songs and performances.
Alice Di Micele offers a pleasing flow of styles, attractive in any direction.
The debut album from all-guns-blazing Brown Boots Boogie Band is poised to set the nation a-jigging, a-polkering and a-reeling.
The traditional sounds of West Africa blend seamlessly with vibrant electronica on Finishing. The new album from Guinean ‘Avant-Garde Griot,’ N’Faly Kouyaté is a masterpiece of Afrotronix
Kathryn Williams claims her due stake, with the classiest suite of songs yet.
Changes afoot for Salt House, but still a chance to savour reflection, renewal and connection.
Another compilation of appealing songs from Faceless Mirror which are subtly thought provoking and again showcase their musical prowess.