Dominic Walsh, Author at AT THE BARRIER

Dominic Walsh

Dominic has written about music for several years for various outlets including Louder Than War magazine, The Sludgelord, Manchester Evening News and Cultural Bulletin.

Alex Rex – Andromeda: Album Review

By Dominic Walsh on 7th February 2020 • ( Leave a comment )

Andromeda is the new album from former Trembling Bells man, Alex Rex. His third solo outing is an emotional trip that you need to submit too.

Singles Round Up

By Dominic Walsh on 2nd February 2020 • ( Leave a comment )

Wrap your ears around a collection of singles from artists spanning indie, reggae, rap, darkwave, punk and folk.

Sylosis – Cycle Of Suffering: Album Review

By Dominic Walsh on 23rd January 2020 • ( Leave a comment )

Sylosis return after a five year hiatus. The Reading band’s fifth album, Cycle Of Suffering, is a devastatingly good return that will blow you away.

Bonded – Rest In Violence: Album Review

By Dominic Walsh on 15th January 2020 • ( Leave a comment )

Bonded are a band born of members of many great bands. A collective group of veterans releasing their debut record together; Rest In Violence.

Black Marble – Bigger Than Life: Album Review

By Dominic Walsh on 3rd December 2019 • ( Leave a comment )

Chris Stewart aka Black Marble, delivers a superb album of 80’s drenched synth beauty.

IDER – Manchester Academy: Live Review

By Dominic Walsh on 30th November 2019 • ( Leave a comment )

Playing as main support to Sigrid, IDER had the task of warming up the crowd on a bitterly cold night in Manchester.

Avatarium – The Fire I Long For: Album Review

By Dominic Walsh on 19th November 2019 • ( Leave a comment )

Prolific Swedish rockers deliver their fourth long player with authority.

Pist – Hailz: Album Review

By Dominic Walsh on 31st October 2019 • ( Leave a comment )

Pist diversify on their latest outing, to devastating effect.

Rising Up Peterloo – HOME, Manchester: Live Review

By Dominic Walsh on 29th October 2019 • ( Leave a comment )

Rising Up Peterloo is billed as Modern Folk Theatre. Debs Newbold and Sean Cooney (The Young’Uns) have created something visceral and affecting in a minimal way.