Roswell Road hit the road running with their first full length release, Rebel Joy. Their dynamic musicianship combines and shines as they present, to listeners old and new, a relatable, relevant and personal album.
Sean Cooney and his musical telling of the events of the Peterloo Massacre of 1819 are laid bare in Peter’s Field onstage close to where events took place.
Irish folk singer Paddy Boyle accomplishes that rarest of things: He’s produced a collection of drinking songs that puts melody and craft before boisterousness. With stunning results…
Spooky spectral sounds spiral into saturation for this exquisite new chapter for Maz O’Connor. Love It Is A Killing Thing marks a momentous return.
Sparkles in the sweat, diamonds in the dust, gold in the grit; service as usual from the Louisiana heir apparent, Bonnie ‘Prince’ Billy.
These Frightening Machines is the third album from West Midlands singer-songwriter Katherine Priddy, and it continues her musical development with an increasing variety of styles and arrangements for her delicate, tuneful and lyrically intelligent music.
Using a very special violin, acclaimed violinist/songwriter Georgia Shackleton celebrates the 125th anniversary of a distinguished relative’s voyage of discovery. From the Floorboards is a journal of historical achievement, tales of endurance and the lure of the sea
Jakobol amazed us with their unique sound and have released another experimental album, Leornian, extending the boundaries of folk music.
We’re in at The Met right at the start of the Spiers & Boden tour. An evening of musical education and excellence.
A sometimes baffling and beguiling record that steadfastly fails to bobulate, Hen Ogledd remain like no other.
Bruce MacGregor may be gone, but Incendo proves that Blazin’ Fiddles have re-invented themselves for a bright future without him.
Of Monsters & Men head to Manchester for the first time in a good while, and they are greeted like returning heroes. Support comes from Arny Margret.
The Magpie Arc heading their own festival. Where else? Cecil Sharp House, 8/2/26.
Momentous and majestic, INYAL are back and prisoners won’t be taken, as they revive the whole genre.
The self-titled debut album from NYC psych-folk outfit, GreenLady takes inspiration from the pioneers of the 1970s British folk revival and throws in a few healthy dashes of alt-country and psychedelia
