Mon Rovîa – Bloodline: Album Review
Afro-Appalachian? Soulgrass? It’s all just joyous acoustic music sans frontières from Mon Rovîa , and just the job to nip the winter chill.
Afro-Appalachian? Soulgrass? It’s all just joyous acoustic music sans frontières from Mon Rovîa , and just the job to nip the winter chill.
Dutch singer and songwriter Celine Cairo previews her fifth album with a preview of the mellow, satisfying sophistication of the title track.
Harlem guitarist/composer/singer Solomon Hicks delivers another showcase of his heady signature blend of blues, jazz, soul, funk and gospel.
From Paul Cowley, a banquet of stripped back blues, for both beggars and billionaires.
Relive the excitement of Howard Jones’ first headline tour with this excellent remastered release.
Our end of year Quick Takes with sounds swinging from Psychedelic Desert Rock and Gallic sheen to Psych infused Hindustan folk and warm Country.
There is little more exhilarating than an excellent live concert. Jan Akkerman showcases his guitar wizardry and a setlist packed with classic Focus tunes fits the bill perfectly.
2025 has brought amazing music. Throughout the year, we have covered a wide range of bands and artists across a wide array of genres and styles. Our growing team of writers have nominated albums that they believe represent the year of 2025.
Whilst 2025 brought a whole host of great new music, there has also been a steady flow of retrospective releases. Here, we highlight a selection of reissues that were released during 2025.
As 2025 draws to a close, we look back at some of the best gigs the At The Barrier team has witnessed this year.
Here’s a small but perfectly formed little selection of images from our photographer team in the Live Review pages of 2025.
Joe Banks takes on the challenge of looking into ‘the visionary songs’ of Peter Hamill via the excellent Kingmaker Publishing.
Last gig of the year finds us in Stoke, in the Minster, with the Mediaeval Babes.
A high tech collaboration which takes Marc Almond’s storytelling back to its glory days of sleazy synth pop.
Dan O’Farrell explores life’s dark waters, loss of family, faith, community and self-confidences – and more – on his 4th album.